![]() References: The Haydn minuets figure in the Mozart correspondence from Italy. The rest of the bottom space is occupied with Nannerl's drawings of naïve symbols in kind of a rebus, perhaps conveying a secret sign language to her brother. At the bottom of the front page, there are entries by the Viennese collector Alois Fuchs (1799-1853) referring to Nissen's biography and Mozart letters from Italy (see below). However, it has been established that the music is by Michael Haydn and identical with the orchestral minuets K.105(61f) hitherto assigned to W.A.Mozart.The latter listing, therefore, should be removed from the Köchel catalog. The manuscript is headed "6 Menuetten", on the right hand it says "(del signor haiden)", on the left "von Joseph Haydn". The piano score, marked "Cembalo", is copied in the hand of Maria Anna ("Nannerl") Mozart (1751-1829) on a double oblong 10-stave sheet. ![]() in the hand of Maria Anna Mozart ("Nannerl") original in The Jewish National and University Library, Jerusalem (IL J) See: Wolfgang Rehm, Mozarts Nachlass und die Andres: Dokumente zur Verteilung und Verlosung von 1854. While the 1833 catalog spans the years 1764-1784, when Mozart's own catalog began, this version extends the range to 1791, the additions made by one of André's sons. André's Verzeichnis of 1833 for corrections and additions by one of his sons. This "Gesamtverzeichnis" dates from after 1833. Thematic catalog of Mozart manuscripts from the years 1764-1791 written by J.A. Photocopy of ms original in the Stadt- und Universitätsbibliothek, Frankfurt (D F), shelfmark Mus.Hs.778/6 André's hand of his original Mozart manuscripts according to their location in 12 boxes (Kastenverzeichnis). Photocopy of ms original in the Stadt- und Universitätsbibliothek, Frankfurt (D F), shelfmark Mus.Hs.778/4 Photocopy of ms original in the Stadt- und Universitätsbibliothek, Frankfurt (D F), shelfmark Mus.Hs.778/2 Music manuscripts and other primary materialsĪndré, Johann Anton, Music sources are organized alphabetically by author and then by uniform title the correspondence alphabetically by author and then chronologically the remaining sources by their location within the collection. ![]() Music Manuscripts and Other Primary Source Documents, II. The inventory is organized in four sections: I. While many of these publications may be found within the collections of the Loeb Music Library, it will be useful to scholars to have them assembled in one location. Lastly is a large collection of secondary sources: offprints and photocopies of scholarly journal articles, Festschriften, and books, some of them rare. These materials will be of particular interest to scholars studying the reception of Mozart. Another part of his collection consists of Mozartiana from the 19th and 20th centuries such as Mozart festival program guides, concert programs, newspaper clippings and reports including those from the 19th and early 20th centuries. ![]() Offenbacher supplied extensive annotations of these sources for our inventory he also supplied notes and other supporting documentation to accompany the photocopies in their folders. A significant part of the collection consists of photocopies and microfilms of primary Mozart sources including autograph and other manuscripts, correspondence of Mozart and his family members, and other items such as Johann Anton André's early thematic catalogs of Mozart's works. In 2000 Eric Offenbacher donated his personal collection of Mozart research materials to the Eda Kuhn Loeb Music Library, further expanding upon and strengthening our collection of resources for Mozart research.
0 Comments
Leave a Reply. |